The Hobbit: the Desolation of Smaug

The Hobbit: The Desolation of Smaug The_Hobbit_-_The_Desolation_of_Smaug_theatrical_poster

I am a HUGE fan of all things fantasy.  Correction: I am HUGE fan of GOOD fantasy.  It could be a book, a TV show, a mini-series, or a big-screen movie.  If you have read some of my previous reviews of fantasy films – such as my one for “Conan the Barbarian” – you will undoubtedly know that I have stomached a plethora of horrid films to arrive at the glory & majesty that is Peter Jackson’s treatment of The Lord of the Rings trilogy.  I have already posted a review of “The Hobbit: an Unexpected Journey” and I spoke at length about the deeper meaning of the film in my article “It’s Not Such a Small World After All…”.

So it took me a while to get to the theater to see this latest cinematic entry in the Tolkien storybook, “The Hobbit: the Desolation of Smaug”.  {Since I hate acronyms, I will abbreviate this title to simply “Smaug” for the remainder of this article.}  What I can say is it that it was well worth the wait!  Okay, time for my secret love of very specific things Tolkien to be voiced here, so bear with me.  There are two things I didn’t want to be screwed up when the stories finally got translated to film: the Balrog of Moria and Smaug the Dragon.  Why?  Because if they looked corny or foolish, they not only lose their potency but they also vastly diminish the film.  In other words, if their treatment sucks, so too will the movie.  Allow me to say, the dragon is worth the price of admission, and he is glorious!

You can look at this movie as having multiple parts and all of them are brilliantly executed.  Part 1 is the journey into Mirkwood Forest and the Elven kingdom therein.  It will be interesting to see these films in chronological order and then watch LOTR afterwards.  I think – though I cannot confirm this – that Peter Jackson is nimbly creating the “stage” for LOTR with these “Hobbit” movies and is layering a little bit more of what SHOULD have been included in the original tale of The Hobbit.  This may seem like tinkering with the source material, but honestly it is more like George Lucas tinkering with Star Wars.  Tolkien did it for ages with all of his material, so why shouldn’t Jackson?  Truth is, I believe it makes for a better story.

What exactly am I talking about?  What precisely is Jackson adding to (story-wise) that is different than the original book?  Well, I don’t recall anything about Dol Guldur being in The Hobbit.  That’s rather significant, especially in this film version of the story.  Again, it is layering the film to pave the way for the Lord of the Rings trilogy.  It’s a fantastic addition and it makes the story seem even more tightly wound together.  Bravo!  Ultimately, there is nothing better in fantasy than a “meet the bad guy” scene.  I don’t know how Jackson managed to add this and then end the film on a cliffhanger – especially involving Gandalf!  {If you haven’t seen the film, just go and watch it and then come back and re-read this part – then you will understand what I am talking about.  I am trying to avoid spoilers here.}  I know that Tolkien wrote several “inclusions” that were or were not included in later revisions or editions of the book – one of them is the Quest for Erebor which essentially is EXACTLY this subject matter.  I still think it bears mentioning though – since most fans of the work don’t even know the existence of the Quest for Erebor.

Okay.  Enough of the inner-geek-speak.  Review the movie!

In “The Hobbit: an Unexpected Journey”, we saw Bilbo Baggins as a slightly different Hobbit.  He wasn’t necessarily content with staying at home.  This film picks up on the heels of where the last left off.  They just got flown to safety by the giant eagles, remember?  So here they are on the run from the nasty albino orc (Azog, if you care), and we see a bit more of the heroic side of Bilbo that is starting to emerge.  Something has fundamentally shifted within Bilbo.  He will never be the same again.  It’s fun to ask the question here: is his change internal (i.e. his own choice) or is it external (i.e. caused by possessing the One Ring)?

Regardless, Martin Freeman brings a new layer of depth to Bilbo in this film.  I think if I have a negative criticism about the LOTR trilogy, it is that Elijah Wood was great as Frodo but he doesn’t seem all that unusual when compared to other Hobbits.  He made bold decisions, but it isn’t until he is already on the quest that we begin to see how he is different than his kin.  With Bilbo, you are told (via Gandalf) why he was chosen.  Martin Freeman does a fantastic job at bringing this to the surface of the character in increments.  In “Journey” it was a slow pace, a building pace, but with “Smaug”, he is revealing Bilbo’s differences with each passing scene.  The changes are becoming far more evident.  It’s a sharp contrast to where he started from.  I loved this aspect of the film.  Even with the faster pace of “Smaug”, Freeman brings the character more to life with every scene he is in.  In short, Freeman presents a much stronger character than Wood’s Frodo.

Lee Pace plays the Elvenking, ruler of Mirkwood, Legolas’ father, and also called Thranduil.  I have to pause to talk about this awesome douchebag.  Seriously, I have always despised him.  Pace plays him so well that I have only one thing to say: he is AWESOME!  His outfit is incredible, his voice is perfect, and just his demeanor comes through.  He is the kind of character you love to hate, namely because he is so blind.  It’s hard to believe that Legolas comes from this guy.  Again though, here is Jackson layering the story to make it more relevant to the LOTR storyline.  He is giving us Legolas’ backstory – which we were denied in “Fellowship of the Ring”.  The scenes in Mirkwood are great – I could have spent another half an hour in the hall of the Elvenking and listened to him prattle on about the rest of the world isn’t his problem.  No wonder Legolas wanted to get out of there!

Evangeline Lilly plays Tauriel, the elf maiden Captain of the Guard for Mirkwood’s elves.  She looks great and I never really thought much about who would play her (as compared to say Galadriel, which could not have been cast better).  She does a good job, nothing overpowering really.  Yet, the story of her and the dwarf Kili, and the obvious weird love story there…well, it’s odd and slightly distracting from the overall tale.  Did we really need to play up the love angle?  Why can’t they just befriend each other and develop a bond based off of that?  I don’t know.  Maybe it’s just me but I find it all a bit weird.

The film presents us with all the highlights from the cartoon film which is great – the barrel ride out of Mirkwood is absolutely stupendous!  It’s better than anything in LOTR, honestly.  It was funny, and exciting, and just plain thrilling to watch.  The theater was filled with gasps and cheers during that scene and it is no wonder either! It isn’t long before we reach Lake-Town and we are introduced to Bard the Bowman.  We get to see the brief history of the Black Arrows and we know its significance.  Yahoo!  This was really well done too.  Just the right amount of detail without it dragging down the pace of the film, and it’s all told in a very “in-the-moment” style.

The fighting got juiced up in the 2nd film of this trilogy as well, which was to be expected I guess.  “Journey” was slow but that was not only intentional but also necessary.  “Smaug” is more like the barrel ride: fast-paced and thrilling.  It’s the proverbial out-of-the-frying-pan-into-the-fire situation, time after time in this film.  This helps you jump from Mirkwood to the dungeons of the Elvenking to Lake-Town to Erebor itself.  Once the film gets you inside the Lonely Mountain, you should make sure you have emptied your bladder – because you will not be able to leave your seat once that begins!

Enter the biggest scene-stealing diva of all time: Smaug, voiced by Benedict Cumberbatch.  The dragon is so brilliantly depicted that you will not be able to think of another better looking dragon on film EVER.   I have seen a lot of them and a lot of so badly rendered that they are laughable.  But Smaug?  O…M…G!  This is brilliant cinema, the devilish and cunning old dragon slithering across his hoard, his greed so obvious that it deserves its own Academy Award.  He is charming and terrifying all at the same time.  You are thinking the whole time (even if you know how this scene is supposed to play out): “Bilbo put on that damn ring and RUN!”

And what about Gandalf and his quest to draw out this Necromancer at Dol Guldur?  Oh, that…yeah that’s awesome too.  Loved the scenes with Radagast in the mountains at the tombs!  But the biggest sucker punch of “Smaug” is the ending!  The film clocks in at 161 minutes but it feels like less than 2 hours, I swear!  That’s the pace of this film!  And the ending is like someone just yanking the rug right out from under your feet!  It is so swift and brutal that you will be left sputtering in the aisles saying things like “they can’t end the film here!” or “Seriously?  That’s the end?!”

Suffice to say, I highly recommend “Smaug” to all fellow fantasy film lovers – to all GOOD fantasy film lovers, that is.  It’s a briskly paced movie with still a ton of character development with Bilbo and some great new additions to the tale – like Bard and Tauriel. The villains are just epic – Thranduil and Smaug are fantastic!  So, butter up your popcorn, find a nice cushy chair and settle yourself in for thrill ride that makes you want to drain and elven barrel of wine just to go ride it down a waterfall!  ENJOY.

The Hobbit: The Desolation of Smaug – Sneak Peek [HD]

…and that’s it for this edition of THE REEL VOICE.


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